SATURDAY, 9/8/12, Issue 61

@Jaxonpool _______

LB_red%22Dear%22A Gehry in our midst:  It wasn’t until I had gone off my meds that I realized we have an architectural masterpiece in our midst.  I’d seen the building before, but it wasn’t until my mind cleared, and I saw a photograph, that I connected the dots.  Far from being a hulking hollow shell haunting the skyline, it is a Frank Gehry masterpiece!  Of course I’m talking about the Berkman Plaza Two.

Frank Gehry, the man

Frank Gehry, the Pritzker Price-winning architecture based in Los Angeles

Inspiring this insight for me was a photograph of a Santa Monica house Gehry designed, a mashup of construction site and 1940s residential, juxtaposing elements of traditional home with raw surfaces utilizing concrete blocks, corrugated sheet metal, and suggestions of cyclone fence.  At first you think it’s a dump, but soon its postmodern sublimity washes over you and arrests your mind.

Santa Monica CA home designed by Frank Gehry

Shortly after I saw the photograph, I was in downtown Jaxonpool, and I realized that right there on the river was another Gehry tour de force.  Several aspects of the edifice clued me in.  First, there is the embedding of residential themes within unvarnished and rough-hewn material surfaces.  Second, the references to unadorned structural assemblage, plus the abrasive exposure of the bones of the building, provide strong indication it’s a Gehry.  Third, and most compelling, is the similarity of the motif—the characteristic Gehry architectural styling—the pastiche effect that brings unlike components into both startling combination and stark contrast.  In this case, it is the raw, building-site-like elements intermeshed with smoother, glossier surfaces harking back to a more prosperous but now bygone era.  In sum, from the half-completed concrete and steel formation emerge the subtle tones of a circa nineties Miami waterfront condo:

Frank Gehry’s Berkman Plaza Two

All these years I had assumed the Berkman Plaza Two complex was just a 22-story hulking hollow shell standing on the north bank of the St. Johns River.  Locals have dubbed it the north-shore eye sore.  I had heard that a combination of hurried construction practices and the utilization of shoddy building materials, especially the use of poor-quality concrete, led to its multi-story parking structure collapsing before the project was even completed.  One worker died, “Willie Edwards III, a construction worker and single father pulling extra hours to pay for Christmas presents” (Steve Patterson / Times-Union, Dec. 5th, 2009).  

Local media has covered up this architectural wonder’s origin.  Here’s an example of a news outlet not reporting the facts:  Berkman Plaza 2 Still Tied Up In Lawsuits, Downtown Leaders Want Change  Did you notice that Gehry’s name does not appear even once?

How did I discover this cover up?  I was walking in downtown Jaxonpool by the jail one hot, sunny afternoon and, voilà!  THERE IT WAS!  Berkman Plaza Two was immense, overwhelming, mind boggling!  It was as if for the first time I were beholding Olympic Park’s glaciers, or Denali, or the Pacific Ocean, or Mount Blanc, or a peak in Darien.  My mind labored to catch up with all of it, to grasp its magnitude, to take possession of the concept.  I was in the presence of the sublime as Immanuel Kant described it.  Only after I had written the analytic critique above did my agitated thoughts settle.  When at last I had wrapped my mind around it, I recognized it for what it is: our city’s signature landmark!  Everything about it shouts “Jaxonpool!”

Please take a moment to admire its austere, postmodern grandeur:

Berkman Plaza Two, south bank skyline in background *.

So, if the paper you edit, the Times-Union, didn’t report who designed the Berkman Plaza II, what else might your paper be holding back from us, your readers?  Could Goodby’s Creek (San Jose Blvd and Baymeadows) also be a Gehry structure in disguise?  Similarly standing idle for several years, vacant and half built, Goodby’s Creek is a sprawling, five-story, hulking concrete shell.  This postmodern pastiche of half-assembled building materials with residential undertones similarly haunts the city skyline.  All along, I have been assuming it was the 2008 financial meltdown that accounted for it being the way it was.  But maybe I have been wrong!  You would know, Mr. Editor.  So, now, come clean.  And don’t lie.  Out with it!!  Is this structure, which has been hiding out in plain site, also part of Gehry’s oeuvre?

Goodby’s Creek Condo project–a Frank Gehry masterpiece?

You ask, who is Frank Gehry?  This TED talk will inform you, and then you will understand why it is such a distinction for Rio on the River to have one, and possibly two, of his master works.

Just thought I would let you know my thoughts, before I resume taking the meds.

Lemule Blogiver


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